About Michael J. Faris
Assistant Professor of English with research areas in digital literacy, privacy and social media, and queering rhetorics.
This blog serves as a place to think through things, record thoughts, share interesting stuff, and hold conversations. Welcome!
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Recent Posts
Recent Comments
- Elizeth on Bersani (2010): Is the Rectum a Grave?
- Joe Schicke on Robert Brooke on ‘underlife’
- Teaching/Learning in Progress: Thinking about the “Backchannel” – Liz Ahl on Robert Brooke on ‘underlife’
- Ariane on the idea of a writing center
- Editorial Pedagogy, pt. 1: A Professional Philosophy - Hybrid Pedagogy on Miller’s “Genre as Social Action”
Currently Reading
Last.fm Recent Listens
Category Archives: Teaching Composition
one in twenty
I am an officer in the Rainbow Continuum on campus, and I love it. Last quarter, I was a bit surprised when one of my Writing 121 students showed up at a meeting, but I was thrilled, and throughout the … Continue reading
permission
Sometimes conferences with students are so short because they just need permission. They come to you with an “objective” fact-based paper for a narrative assignment, and sometimes they just need to hear you ask, “Why did you chose this topic?” … Continue reading
significance of an event
Yesterday, I met with Lisa Ede and we discussed teaching composition. I’ve assigned an adaptation of the “My Turn” essay that Newsweek publishes, and Lisa mentioned something profound. She stated that if the significance of an event is obvious, there … Continue reading
Posted in Teaching Composition
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Discussion with Sara and Linda
Sara Jameson, Linda Barnes, and I have been emailing about blogs v. journals, blogs v. discussion boards, and blogs in the classroom. I’m going to post excerpts from our emails here and we’re going to start replying here (for some … Continue reading
Posted in Blogs in Classrooms, Teaching Composition
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a new metaphor for teaching
Anne French Dalke writes: Rejecting “balancing” as too rigid, too binary, and “juggling” as too tricky, too dangerous (who wants to think of her kids as a juggler’s toys?), Kaye arrived at “emulsification”: the suspension – not the mixing – … Continue reading
Posted in Teaching Composition
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