About Michael J. Faris
Assistant Professor of English with research areas in digital literacy, privacy and social media, and queering rhetorics.
This blog serves as a place to think through things, record thoughts, share interesting stuff, and hold conversations. Welcome!
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- Elizeth on Bersani (2010): Is the Rectum a Grave?
- Joe Schicke on Robert Brooke on ‘underlife’
- Teaching/Learning in Progress: Thinking about the “Backchannel” – Liz Ahl on Robert Brooke on ‘underlife’
- Ariane on the idea of a writing center
- Editorial Pedagogy, pt. 1: A Professional Philosophy - Hybrid Pedagogy on Miller’s “Genre as Social Action”
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Category Archives: Brainstorming
question generation
Today in our MA Writing Group, Vicki Tolar Burton presented on writing our thesis and strategies involved. Two things stick in my head: 1. Write 15 minutes a day, at least. 2. Play to your strengths, according to this online … Continue reading
Posted in Brainstorming, Thesis work
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thesis “proposal” for MAWG
Cross-posted on MAWG: Polemics and Irenics in Argument – it’s a start? In her essay “The Womanization of Rhetoric,“ Sally Miller Gearhart writes that she believes “that any intent to persuade is an act of violence“ because the persuader has … Continue reading
Posted in Agonism in Display, Brainstorming, Collage, Gender, Hyptertexts, Irenicism, Polyphony, Thesis work, Voice, Walter Ong
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overwhelmed, but moving along
Right now I’m still feeling overwhelmed by the enormity of this topic, as well as the writing done in the field. But I know I’m not alone, because everyone I talk to seems to be struggling, so I’m feeling a … Continue reading
should students write to different audiences?
So, I’m wondering about audience (which voice is highly dependent upon). Should we teachers have students write for various audiences? Elbow suggests writing for different teachers and friends, and Woodworth suggests writing for grandparents, friends, coworkers, etc. I just wonder … Continue reading
so, I’m beginning to formulate where I want to go. How do we get college freshmen, in freshman composition courses, to write from themselves, to write with a “real” voice instead of a faux-academic, disembodied voice? This calls into question, … Continue reading