Optimism One

Optimism One. “Punk Power in the First-Year Writing Classroom.“ TETYC (May 2005): 358-369.

Optimism One builds off of Seth Kahn-Egan’s “principles of ‘punk’“ (DIY, sense of anger and passion, attack on institutions of oppression, willingness to endure pain, and and the “pleasure principle“) to construct what ze believes should be happening in a first-year writing classroom. Production becomes about “content and heart“ not about an “easily consumable package“ (361). Punk lets out emotions that dominant culture often forces us to hide and control (362). Qts bell hooks and Anzaldúa. Students have minority status in university, and academic writing erases the self, while revolutionary, personal writing can exert the self.

I’m too tired at 3:15 a.m. to say much more intelligent about this essay, but I do like the incorporation of bell hooks’s Teaching to Transgress, which I have checked out but haven’t yet read and really want to. Optimism One quotes hooks: “whenever we address in the classroom subjects that students are passionate about there is always the possibility of confrontation, forceful expression of ideas, or even conflict” (qtd. 363). Also quotes Anzaldúa: “Write with your tongues of fire. Don’t let the pen banish you from yourself. Don’t let the ink coagulate in your pens. Don’t let the censor snuff out the spark, nor the gags muffle your voice. Put your shit on paper” (qtd. 363, italics here).

This entry was posted in Punk Pedagogy, Writing 512 Current Composition Theory (Spring 2006). Bookmark the permalink.

3 Responses to Optimism One

  1. spencer says:

    Hey, thanks for this citation (and the Sirc one before it) … I missed these but am (now) looking forward to reading them! Very cool. 🙂

  2. Marieke says:

    I’d like to know what the source for the Anzaldúa quote is… I don’t remember it from Borderlands/La Frontera, but maybe I overlooked it. It’s wonderful.

  3. Michael says:

    Marieke,

    The citation for Anzaldúa is:

    Anzaldúa, Gloria. “Speaking in Tongues: A Letter to Third World Women Writers.” This Bridge Called My Back: Writings by Radical Women of Color. Ed. Charríe Morago and Gloria Analdúa. 2nd ed. New York: Kitchen Table, 1983. 165-73.

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